WEB
The browser is the bench
Drop in what you just shot. One print. After-the-fact. No viewfinder.
Open workbenchNO.00 · DEVELOP THE SAME SCENE
This take.
Best position.
Aim at the person, thing, or place in front of you. Press the shutter. Develop the best position of the same subject. Scene stays. Goods stay. People stay — only the camera moves.
Open workbench · webGet iOS
FRAMES · YOUR SHOTS ×6
DEVELOP →
PRINT · BEST VANTAGE 3:4
HOW IT WORKS
- NO.01
Hold to burst
Same subject. Hold the shutter. 1–6 frames from different angles. One frame can develop. A burst finds the position faster.
- NO.02
Hand it to the bath
The bath composes from the whole set, not the strongest single frame. If you can't tell it's them, the frame is returned.
- NO.03
Best position out
Still them. Still it. Still there. Only the position changes. Default 3:4. Native ratio per surface.
WHAT IT IS NOT
Won't teach you to shoot. Won't tidy this frame. Won't change the scene.
- Score the finder. Nudge left.
- → Won't teach you. Moves the camera.
- Drop people, fix light, recrop.
- → Not cleaning this frame. Standing somewhere better.
- Steal a viral grade.
- → Won't copy someone else's look.
- Move them to Paris, a yacht.
- → Won't change the scene.
- A pile of leftovers, developed later.
- → The door is the shutter, not the roll.
TWO SURFACES
One darkroom. Two doors.
IOS · NATIVE
Holder first. Dual entry.
On site → hold to burst. Off site → pick recent frames. Both roads meet in the holder.
Get iOS